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Mastodon

Have you ever considered that the Prime Directive is not only not ethical, but also illogical, and perhaps morally indefensible?

This profile is from a federated server and may be incomplete. Browse more on the original instance.

Introducing c/DoctorWho!

We’ve been interested in hosting communities that aren’t exactly Star Trek, but also make a certain kind of sense for this instance for a while. - Quark’s was the first step, and now we’ve decided to pull the trigger on !doctorwho - with the new season up and running, this seems like as good a time as any. Whovians new...

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Guess what! I’ve got a fever, and the only prescription is more cowbell sci-fi discussion spaces!

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I’m not sure when I’m actually going to be able to watch them, but I’m looking forward to the full Ncuti Gatwa experience!

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My least favourite type of RTD episode is the Goofy RTD Episode, and this was definitely that. I doubt it will end up ranking too highly on my list by the end of the season.

That said, I always appreciate social commentary that’s about as subtle as a sledgehammer, and the episode delivered on that. And Ncuti Gatwa’s physical presence is something special - I don’t think we’ve seen that kind of physicality since Matt Smith.

Also, uh, did the Doctor just suggest that the world of Star Trek is real in his universe?

This is obviously a sign that setting up this discussion thread was the right decision.

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“The Devil’s Chord”

All right, it’s hard to make the case that this one was less silly than “Space Babies,” but I enjoyed this one more, largely on the strength of Jinkx Monsson’s delightfully unhinged performance as Maestro, and the fact that I love The Beatles (not that they get a lot to do).

This is one of those high-concept episodes built around an interesting premise (“the world would end if there was no music”) that DW often does really well. I think in this case, they could have done a little more to show the lives of the people in this music-free world, but it worked well enough.

Having Lennon/McCartney finish the Maestro off with the lost chord was blindingly obvious, and extremely perfect.

I’ve got to say, Chris Mason did an amazing job capturing John Lennon’s mannerisms while singing. I happened to watch “Let It Be” the other day, and the guy did his homework. Pour one out for George and Ringo, though - they really didn’t get anything to do.

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It does seem that RTD is going harder into serialization this time around - the Ruby story reminds me a lot of Clara’s tenure with Eleven (which wasn’t the best, but what can you do?).

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Is it wise casting a drag queen as a villain given all the anti-drag queen sentiment?

Gosh, what a loaded question! I think it ultimately boils down to a question of representation - these things shouldn’t be a problem in isolation, but they can be a problem if it’s part of a greater pattern. It does sound like Davies is intent on weaving queerness throughout all aspects of this series, so that will probably make a difference.

I was convinced the lost chord was going to be the mystery chord that opens A Hard Day’s Night.

I had the legendary chord from “A Day in the Life” in mind, which of course isn’t really possible on a single piano (at least, not to its full effect).

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I’m just curious…is there any interest in discussing DW episodes in a startrek.website community?

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Oh boy, I cannot get behind that Capaldi slander.

The Chibnall/Whittaker era…I don’t think they’re are many people who would say it’s their favourite, but there were at least a few pretty good installments in there.

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At the same time, “Demons of the Punjab” is probably a top 10 episode for me, I really love it.

“It Takes You Away” is delightfully weird, the New Years specials are generally pretty solid, “Fugitive of the Judoon” is pretty good even though the greater arc-stuff is not, and I have good memories of “The Haunting of Villa Diodati” and “Can You Hear Me?” even though I haven’t revisited them since the first run.

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I spot-checked a couple of them on Mastodon, and I can call up their profiles without an issue.

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siiiiiiiiiiiiigh

But yeah, federation between Mastodon and Lemmy is pretty unidirectional. Users on (most) Mastodon instances can use their accounts to post to Lemmy and follow Lemmy users, but it doesn’t really work in the other direction.

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At one point, I recall being able to at least search for a Mastodon user from Lemmy and have them come up in search results (no posts and couldn’t follow).

Hmm, I think that still works provided the Mastodon user has interacted with Lemmy in some way. It will pull up their bio and posts/comments made on Lemmy, but that’s it.

I think the difficulty lies in the way the two platforms treat user accounts. On Mastodon, it’s pretty straightforward - a user is a user.

On Lemmy, the users are users, and the community federates to Mastodon as a “group” that boosts/retweets every single post and comment that users make to that community. It’s not really ideal, but I’m not sure if it can be improved considering the radically different structure of each platform. This is what the Quark’s feed looks like on Mastodon:

!A screenshot of @quarks as seen on Mastodon, showing the various users being “boosted”.

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Since Lemmyvision is a homo sapiens only club, startrek.website will not be able to participate directly, and Spock’s rendition of “I’m the X” is sadly ineligible.

But this is pretty cool!

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We’ve had 2FA disabled, because it wasn’t working properly at one point. This is a good prompt to look into getting it up and running again, so thanks for bringing it to our attention!

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2FA should be working now!

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Paramount’s CFO Is Focused on “Getting the Most Out of Every Single Dollar We Invest in Content”

https://www.hollywoodreporter.com/business/business-news/paramounts-cfo-content-investment-deals-streaming-1235844185/

@quarks

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This is also the advantage of public broadcasting - they can put more emphasis on that sort of thing without worrying about profit.

All of which is to say, support your public broadcasters, people!

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Quitting a platform is always easier than you think it will be.

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I suppose it could make sense if they’re looking to break up the company and keep the streamer.

It does seem like bundling might be the new strategy for the non-Netflix, non-Disney players.

Marvel Studios 'Fantastic Four' poster unveiled, main cast revealed. (startrek.website)

Thought there may be some overlap between the F4 and Trek fandoms. I’m over the MCU overall, but as a life long F4 fan I might check this out if I hear its decent. Poster looks promising, dig the retro vibes and the team being presented as a family. Pascal seems like an odd pick for Reed Richards, but the rest of the main cast...

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This seems fine, I guess. Pascal is the only one that I recongize by name, but that means nothing.

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It was interesting, even at the time, it seemed like everyone was talking about Krasinski as a cameo, and not necessarily a long-term plan. It’s been a weird era for Marvel.

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No details about the format yet, as near as I can tell.

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Hmm yeah it looks like they deleted it for some reason. I’ll try to keep an eye out for whether it gets reposted.

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It’s an interesting idea, but I wonder if the “Twitter-like” design of Mastodon is more appealing to brands than the “Reddit-like” design of Lemmy.

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Interesting, isn’t it? I saw a number of people making that same observation during one of the migration waves.

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This guy really seems to be intent on buying the parts of Paramount everyone else considers dead weight.

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I don’t know, it sounds like it might be better off in someone else’s hands…depending on the someone.

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