Well, I’m not going to assume that every decision made by the senior decision-makers in a company is rational for the firm or for ‘maximizing shareholder wealth’ in the long term.
CEOs and executives may act in their own, or their firm’s short term interests, they can however also get complex decisions entirely wrong. Not to mention tax law can incentivize some sub rational behaviour.
There are enough historical cases of absolutely bad thinking running companies into the ground, with deceptive practices that leave lenders and subcontractors short.
The stock market’s reaction to act against bad management can be tardy.
(I’m setting aside corporations taking responsibility for larger societal benefits here because US SEC norms for publicly traded corporations don’t provide for that the way they are in Canadian or European law. In the other hand, there may be some arguments that some of these actions are anticompetitive, and worthy of antitrust investigation.)
So they think it’s better to get a tax write off of half the cost, and sell it to a streamer to cover the other half, than make money and profit with a global cinematic release?
Have been able to load communities and content on Voyager since the last fix yesterday, but am still having issues with images in the main post, especially on c/risa.
On Voyager, I’m seeing just a little blue square in the middle of the box where the meme image should be. It’s not consistent though so it could be some kind of incompatibility with the upload and storage format.
On Mastodon, the tenforward.social instance where the @Admin & @ValueSubtracted have accounts, has its own set of emojis. Some of these seem to have been contributed by users.
It would be great if our leadership here could check in with @guinan to see if she would generously share her protocol.
There has been good MCU content that actually has coherence - Agents of Shield, She-Hulk, Loki - but they’ve effectively had Showrunners.
Why Marvel thought it was optional, and everything could be fixed with editing in post is bizarre, but I’d argue that they’re just at the extreme end of a continuum.
Even with showrunners, some of the early seasons of the new era of Star Trek seems to have fallen into the same trap. To many big ego EPs each doing what they want and Kurtzman trying smooth it all out with editing in post.
Osunsami has kept coherence in the direction of Discovery in Toronto, but Picard season one and two was all over the place, frequently ignoring the tone laid down by Hanelle Culpepper in the pilot.
Just before Picard had its run, Alex Kurtzman was talking up the idea of having one-shots, movies and limited series focused around established (legacy) characters. He argued that the franchise has matured to the point where this was now possible for the next phase.
The Georgiou S31 movie was supposed to be a show, but with Yeoh’s star power, it seems impossible to schedule. So, it’s become the rest case. I hope it’s successful and smooths the way for more.
With Paramount retrenching and Matalas pushing his own Titanprise nepotistic nostalgia tour for an early 25th century show, the window for this seems to have past. Not to mention Paramount’s overall turning away from CBS’ focus on diverse representation.